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Wifredo Lam : ウィキペディア英語版
Wifredo Lam

Wifredo Óscar de la Concepción Lam y Castilla (; December 8, 1902 – September 11, 1982), better known as Wifredo Lam, was a Cuban artist who sought to portray and revive the enduring Afro-Cuban spirit and culture. Inspired by and in contact with some of the most renowned artists of the 20th century, Lam melded his influences and created a unique style, which was ultimately characterized by the prominence of hybrid figures. Though he was predominantly a painter, he also worked with sculpture, ceramics and printmaking in his later life.
==Early life==
Wifredo Lam was born and raised in Sagua La Grande, a village in the sugar farming province of Villa Clara, Cuba. He was of mixed-race ancestry: his father, Yam Lam, was a Chinese immigrant and his mother, the former Ana Serafina Castilla, was born to a Congolese former slave mother and a Cuban mulatto father.〔Balderrama, Maria R., ed. ''Wifredo Lam and His Contemporaries 1938–1952''. New York: The Studio Museum in Harlem, 1992.〕 In Sagua La Grande, Lam was surrounded by many people of African descent; his family, like many others, practiced Catholicism alongside their African traditions. Through his godmother, Matonica Wilson, a Santería priestess locally celebrated as a healer and sorceress, he was exposed to rites of the African orishas.〔 His contact with African celebrations and spiritual practices proved to be his largest artistic influence.
In 1916, Lam moved to Havana to study law, a path that his family had thrust upon him. Simultaneously, he also began studying tropical plants at the Botanical Gardens.〔Alley, Rin. "Lam, Wifredo." Grove Art Online. 27 September 1999. Oxford University Press. .〕 From 1918 to 1923, Lam studied painting at the Escuela de Bellas Artes. However, Lam disliked both academic teaching and painting. He left for Madrid in the autumn of 1923 to further his art studies.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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